Film Review
Drive Angry 3D

Drive Angry 3D

Not quite the end of civilisation.

Come with me on a jour­ney. A jour­ney into the future, in which I tell you of the fall of cin­ema, and of civil­i­sa­tion itself. It is the year 2053. The likes of Cineworld, Odeon, and other cin­ema chains are in ruins.

Their bricks and mor­tar lay smashed on the road, clogged with weeds and moss. Insects buzz lazily amongst the wreck­age. The sun beats down, hard and hot.

A young boy, dressed in rags, runs into one such aban­doned cin­ema. Through the holes in the roof, he can see the grey green clouds drift­ing over­head. It is a for­bid­den place, untouched for decades, full of questions.

The boy’s father calls for him, warns him of the dan­gers. He ignores him, scur­ry­ing across cracked floors, and over rot­ting coun­ters, with­ered pop­corn crunch­ing underfoot.

The boy stops. There is a skele­ton sit­ting upright against a wall. Shreds of tat­tered cloth­ing hang from its weath­ered bones. Between spindly fin­gers, it is clutch­ing a faded movie ticket. The boy peers closer, read­ing the words on it…

Drive Angry 3D.

Sud­denly he feels his father behind him, and jumps with a start. His father’s face is grim.

Can any­one see the car in this photo? Me neither.

What is this place, father?” enquires the boy with wide eyes.

His father places a com­fort­ing hand on his son’s shoul­der, and motions him to sit down. He’s per­haps of an age where he should know the truth. Or at least, a ver­sion of it. Sit­ting down him­self, the father clears his throat, and begins his tale…

This was a place where movies could be enjoyed in the early part of the twenty first cen­tury, before the Nico­las Cage Wars of 2021. Many talk of what trig­gered the wars, and many believed events were set in motion in the year 2011.

You see, dis­as­ter struck in Hol­ly­wood. A strange, unex­plain­able virus infected Los Ange­les, a con­ta­gion that tar­geted only Hol­ly­wood stars.

Even worse, ris­ing stars, as soon as they had a hit film, fell vic­tim to the deadly virus. How­ever, one man was immune to it’s destruc­tive power. That man was Nico­las Cage. Nobody knows why. Per­haps he pos­sessed enough innate charisma, enough star power to suc­cess­fully stop the virus in its tracks.

And so sci­en­tists ran tests, as sci­en­tists often do, but they couldn’t learn the secret of Nico­las Cage’s immu­nity in time.”

The boy looks up at his father, and says, “In time? What happened?”

Under­stand that this was all very secret,” con­tin­ues the boy’s father. “As Hol­ly­wood stars dropped like flies, the indus­try went to great lengths to hide the fact, using huge num­bers of looka­likes. But then then they started dying too.

Even worse, the virus was spread­ing at an incred­i­ble rate, cross­ing the pond to Europe. Now even their stars were a resource that could not be tapped into. The virus was begin­ning to adapt.

As more and more of the act­ing fra­ter­nity began to die out in 2011 and beyond, they increas­ingly turned to the one actor who stood tall, Nico­las Cage. He, and only he, could keep the magic of movies alive. And thus, he began to work harder than ever.

One by one, the Nico­las Cage movies kept on com­ing. First, one a month. Then, two a month. Then, one a week. But soon, it became appar­ent that Nico­las Cage, the last sur­viv­ing actor on the planet, was only one man. Not even one so awe­some as he had the strength to star in every movie ever made.

So sci­ence stepped in, des­per­ate, per­haps look­ing for abso­lu­tion after their fail­ure to stop the virus.”

Hi there! I’m look­ing for Michael Scofield!

What did they do?” asks the boy.

His father con­tin­ues, “They cloned Nico­las Cage! Soon an army of Nico­las Cages were work­ing around the clock, and the movies increased apace.

Mil­lions of per­fect copies of Cage, star­ring in thou­sands upon thou­sands of movies. Day after day, week after week, year upon year.

Alas, the Nico­las Cages became rest­less, angry at being forced to act in award win­ning dra­mas, fol­lowed by a cou­ple of shit movies, and then another award win­ning drama, fol­lowed by even more shit movies.

And so it was that they started a long, and ter­ri­ble war against the rest of the human race. The Nico­las Cage Army (NCA) was far too pow­er­ful, far too styl­ish. Long mul­let hair­styles, swish­ing in slow motion, as an NCA sol­dier dodged incom­ing bul­lets with a grace­ful turn, before shoot­ing the enemy with a casual back­handed flick of an auto­matic pis­tol, proved too much for the rest of humanity.

In 2026, after five long bloody years, the war came to an end, and the NCA stood vic­to­ri­ous. But the planet was in ruins, bat­tered into sub­mis­sion. The Earth was renamed Cage­world, and the NCA dis­banded, left to wan­der the waste­land, their num­bers dwin­dling until… until…

Well, here we are. It’s just us now, son.”

The boy turns, his mul­let hair swish­ing in the breeze, and he says, “That’s a great story, dad! But,” wav­ing his hand at the Drive Angry 3D movie ticket, “what was Drive Angry 3D like? Any good?”

Yeah, not bad. Cage (V1.0) was a bit sub­dued. Amber Heard had nice legs, and Will Ficht­ner was prob­a­bly the best thing in it. It was pretty violent.”

The boy looked thought­ful for a moment, and said, “Great review, dad!”

Thanks.”

Words by , March 1st 2011
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